“Sungdu-an: A Confluence of Artists” by Kristine Luiz Alave. National Commission for Culture and the Arts (NCCA) Feature 2002. http://www.ncca.gov.ph/culture&arts/features/features-03-04-sungduan.htm
“Sungdu-an 3: Making the Local: NCR3 – National Capital Region: Nation Concept Renewal for a Nation-in-Crisis Redeemed” by Imelda Cajipe-Endaya, from the first draft submitted to the National Commission on Culture and the Arts- Committee on Visual Arts (NCCA-CVA), February 2003.
“The COW Essay: In Search of a Macroeconomic Apologia for Art Patronage” by Eric Florentino. From the unpublished manuscript, July 2003.
“New media in the Cradle of Modern Art” by Fatima Lasay.Catalogue essay for DECODE exhibition, Ateneo Art Gallery, Ateneo de Manila University. July 2003.
“Refiguring Modern Philippine Art” by Leovino Ma. Garcia, ZERO-IN: Public Art, Private Lives exhibition catalog, 2002.
Ibid.
“The Agony of the American Left” by Christopher Lasch. New York: Vintage. 1969.
“Hidalgo and Luna: Vexed Modernity” by Marian Pastor Roces, ZERO-IN: Public Art, Private Lives exhibition catalog, 2002.
“No Carrier and other stories from Philippine BBS Culture” by Fatima Lasay. “Read_Me Software Art and Cultures,” edited by Olga Goriunova and Alexei Shulgin. University of Aarhus, Denmark. 2004.
“On the Road to Computer Art” catalogue essay for the exhibition “Wege zur Computerkunst.” Goethe-Institut, Munich, 1977.
Ibid.
Ibid.
From “The Agenbite of Outwit” by Marshall and Eric McLuhan. McLuhan Studies: Issue 2. 1996.
“The Rise of Neo-Realism” by Emmanuel Torres, from “Art Philippines”, edited by Juan T. Gatbonton et. Al. Manila: The Crucible Workshop. 1992.
Ibid.
“eArt Nude Photo Session”, from the eArt Philippines Website. http://www.eartphilippines.com/digital_excellence/nude_session.html
“The Long Revolution” by Raymond Williams. Harmondsworth: Pelican. 1980.
Quoted in The Work of Art in the Age of Mechanical Reproduction, by Walter Benjamin, in Illuminations (Trans. Harry Zohn. Edited and with Introduction by Hannah Arendt. New York: Schocken Books, 1968). Benjamin's quote is taken from Paul Valery, Aesthetics, "The Conquest of Ubiquity," translated by Ralph Manheim, p.225. Pantheon Books, Bollingen Series, New York, 1964.
Ibid.
“Pollock and After: The Critical Debate” by Francis Frascina. New York: Harper and Row. 1985.
“Hidalgo and Luna: Vexed Modernity” by Marian Pastor Roces, ZERO-IN: Public Art, Private Lives exhibition catalog, 2002.
“So What is Media Art?” by Trevor Batten. 1996. http://www.dma.nl/batten/what.htm
“Culture, Identity and Security: An Overview” by Amir Pasic. Project on World Security, Rockefeller Brothers Fund. 1998.
Ibid.
“Television: Technology and Cultural Form” by Raymond Williams. Glasgow: Fontana. 1979.
“SNDP Philippines: IT Pioneer.” Sustainable Development Network Program Success Stories. http://sdnhq.undp.org/stories/philippines.html
Ibid.
“No Carrier and other stories from Philippine BBS Culture” by Fatima Lasay. “Read_Me Software Art and Cultures,” edited by Olga Goriunova and Alexei Shulgin. University of Aarhus, Denmark. 2004.
“Printmaking: Art for the Many” by Leonides Benesa (updated by Jeannie Javellosa), taken from “Okir: An Epiphany of Philippine Art” and “The Printmakers.” From “Art Philippines”, edited by Juan T. Gatbonton et. Al. Manila: The Crucible Workshop. 1992.
“Alternative Techniques” by Cesare A.X. Syjuco. From “Art Philippines”, edited by Juan T. Gatbonton et. Al. Manila: The Crucible Workshop. 1992.
“The COW Essay: In Search of a Macroeconomic Apologia for Art Patronage” by Eric Florentino. From the unpublished manuscript, July 2003.
